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The Microsociology of Creativity and Creative Work

Published on Nov 5, 2019in Social Psychology Quarterly1.75
路 DOI :10.1177/0190272519881629
Ugo Corte5
Estimated H-index: 5
,
John N. Parker17
Estimated H-index: 17
,
Gary Alan Fine43
Estimated H-index: 43
Abstract
  • References (15)
  • Citations (0)
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References15
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#1Myra Bosman (UvA: University of Amsterdam)
#2Rachel Spronk (UvA: University of Amsterdam)H-Index: 8
Last. Giselinde Kuipers (UvA: University of Amsterdam)H-Index: 17
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Embodied experiences are strongly felt, but hard to communicate or verbalize. This article examines people鈥檚 articulation and sense-making of their sexual sensations, during interviews, to gain insight into what we refer to as a 鈥減erceptual loop鈥 between embodied sensations, body-sensorial knowledge, and social meanings. We employ a combination of interactionist and practice theory to study sex as an embodied practice that unfolds in interactions. We analyze this using in-depth interviews with 3...
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Gatekeeping appears central to creative industries. To better understand gatekeeping, this article introduces a distinction between discovering and justifying the selection of cultural goods. Most ...
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#1John N. Parker (ASU: Arizona State University)H-Index: 17
#2Edgar Cardenas (UM: University of Michigan)H-Index: 1
Last. Edward J. Hackett (Brandeis University)H-Index: 22
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New technologies transform research specialties and potentiate new fields. Sociometers鈥攚earable electronic sensors collecting quantitative, dynamic data about embodied social interactions at hyperfine scales鈥攔epresent such a possibility for small group research. This article introduces this new method and its distinctive qualities and affordances. Next, we relate its potential for advancing understanding of three types of small group phenomena: (1) rhythmic entrainment, emotional energy, and sol...
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#1Gary Alan FineH-Index: 1
2 CitationsSource
#1John N. Parker (ASU: Arizona State University)H-Index: 17
#2Ugo Corte (Uppsala University)H-Index: 5
Collaborative circles theory explains how innovative small groups develop and win acceptance of their creative work but assumes a single type of circle and would benefit from considering how circle ...
6 CitationsSource
#1Gary Alan Fine (NU: Northwestern University)H-Index: 43
#2Ugo Corte (Uppsala University)H-Index: 5
As a consequence of their size and fragility, small groups depend on cohesion. Central to group continuation are occasions of collective hedonic satisfaction that encourage attachment. These times are popularly labeled fun. While groupness can be the cause of fun, we emphasize the effects of fun, as understood by participants. Shared enjoyment, located in temporal and spatial affordances, creates conditions for communal identification. Such moments serve as commitment devices, building affiliati...
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#1Tom R. Burns (Uppsala University)H-Index: 29
#2Nora MachadoH-Index: 4
Last. Ugo Corte (Uppsala University)H-Index: 5
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Creativity is a universal activity, essential in an evolutionary perspective, to adaptation and sustainability. This first part of a three part article on the sociology of creativity has three purposes: (1) to develop the argument that key factors in creative activity are socially based and developed; hence, sociology can contribute significantly to understanding and explaining human creativity; (2) to present a sociological systems approach which enables us to link in a systematic and coherent ...
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#1Albert M. Mu帽iz (DePaul University)H-Index: 9
#2Toby Norris (Assumption College)H-Index: 1
Last. Gary Alan Fine (NU: Northwestern University)H-Index: 43
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Purpose 鈥 In recent years, scholars have begun suggesting that marketing can learn a lot from art and art history. This paper aims to build on that work by developing the proposition that successful artists are powerful brands. Design/methodology/approach 鈥 Using archival data and biographies, this paper explores the branding acumen of Pablo Picasso. Findings 鈥 Picasso maneuvered with consummate skill to assure his position in the art world. By mid-career, he had established his brand so success...
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Jazz was born on the streets, grew up in clubs, and will die-so some fear-at the university. Facing dwindling commercial demand and the gradual disappearance of venues, many aspiring jazz musicians today learn their craft, and find their careers, in one of the many academic programs that now offer jazz degrees. School for Cool is their story. Going inside the halls of two of the most prestigious jazz schools around-at the Berklee School of Music in Boston and the New School in New York - Eitan Y...
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Farrell鈥檚 (2001) theory of collaborative circles provides a useful frame for analyzing the interpersonal dynamics that enable creative collaboration in small groups, but it leaves contextual factors of collaboration undertheorized. Using ethnographic data on freestyle BMXers in Greenville, North Carolina, this article demonstrates how resource mobilization theory鈥檚 conception of resources can specify the enabling and constraining aspects of a circle鈥檚 environment in a theoretically satisfying wa...
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