Nano-art, dynamic matter and the sight/sound of touch
Abstract
This paper offers an auto-ethnographic account of Midas, an immersive bio-media installation created by artist Paul Thomas. The experiences of the installation provide a stepping-off point for a discussion of the corporeal geographies and the nano-imaginaries that the work develops. Understanding the senses as a principle means whereby the body mingles with the world and with itself, we begin from a focus on Midas’s presentation of the...
Paper Details
Title
Nano-art, dynamic matter and the sight/sound of touch
Published Date
Jan 1, 2014
Journal
Volume
51
Pages
130 - 139
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Notes
History