Judaic Cinecorporeality: Fleshing Out the Haredi Male Body in Avishai Sivan's The Wanderer

This essay discusses the representation of the ultra-Orthodox (Haredi) male body in Avishai Sivan’s noted feature The Wanderer (2010) as representative of contemporary Israeli cinema’s attitude towards Judaic corporeality. Using both sociological and theological literature, it highlights the ways by which this film orchestrates the details of ultra-Orthodox reality to mount a damning critique of Judaic regimes of corporeal regulation. According...