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G. Gabrielle Starr
New York University
15Publications
6H-index
224Citations
Publications 15
Newest
#1Edward A. Vessel (NYU: New York University)H-Index: 7
#2Natalia Maurer (NYU: New York University)H-Index: 2
Last.G. Gabrielle Starr (NYU: New York University)H-Index: 6
view all 4 authors...
Abstract Individuals can be aesthetically engaged by a diverse array of visual experiences (paintings, mountain vistas, etc.), yet the processes that support this fundamental mode of interaction with the world are poorly understood. We tested whether there are systematic differences in the degree of shared taste across visual aesthetic domains. In Experiment 1, preferences were measured for five different visual aesthetic domains using a between-subjects design. The degree of agreement amongst p...
7 CitationsSource
#1Amy M. Belfi (NYU: New York University)H-Index: 6
#2Edward A. Vessel (MPG: Max Planck Society)H-Index: 7
Last.G. Gabrielle Starr (NYU: New York University)H-Index: 6
view all 3 authors...
7 CitationsSource
Source
#1Edward A. Vessel (NYU: New York University)H-Index: 7
#2Jonathan L. Stahl (NYU: New York University)H-Index: 2
Last.G. Gabrielle Starr (NYU: New York University)H-Index: 6
view all 4 authors...
2 CitationsSource
#1G. Gabrielle Starr (NYU: New York University)H-Index: 6
1 CitationsSource
HAT MIGHT READERS do with the imagery of Wallace Ste- vens' poetry? What kind of imaginative and aesthetic experi- ences might his poems enable? Such questions have wide im- plications, not just because they may influence our understanding of the ways readers encounter the poems, but because of the role Stevens has played in the story of lyric poetry and the role concepts of aesthetic experi- ence have played in that story, too. His nearly constant foregrounding of imagery, sensation, and imagin...
2 CitationsSource
#1Edward A. Vessel (NYU: New York University)H-Index: 7
#2Jonathan L. Stahl (NYU: New York University)H-Index: 2
Last.G. Gabrielle Starr (NYU: New York University)H-Index: 6
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ABSTRACT How is visual information linked to aesthetic experience, and what factors determine whether an individual finds a particular visual experience pleasing? We have previously shown that individuals’ aesthetic responses are not determined by objective image features but are instead a function of internal, subjective factors that are shaped by a viewers’ personal experience. Ye t for many classes of stimuli, culturally shared semantic associations give rise to similar aesthetic taste across...
8 CitationsSource
#1G. Gabrielle StarrH-Index: 6
Source
#1G. Gabrielle StarrH-Index: 6
1 CitationsSource
#1Edward A. Vessel (NYU: New York University)H-Index: 7
#2G. Gabrielle Starr (NYU: New York University)H-Index: 6
Last.Nava Rubin (Center for Neural Science)H-Index: 1
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In a task of rating images of artworks in an fMRI scanner, regions in the medial prefrontal cortex that are known to be part of the default mode network (DMN) were positively activated on the highest-rated trials. This is surprising given the DMN's original characterization as the set of brain regions that show greater fMRI activity during rest periods than during performance of tasks requiring focus on external stimuli. But further research showed that DMN regions could be positively activated ...
51 CitationsSource
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