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Barbara Slavich
Lille Catholic University
CreativityAdvertisingBusinessMarketingHaute cuisine
28Publications
6H-index
83Citations
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Publications 29
Newest
#1Barbara Slavich (Lille Catholic University)H-Index: 6
#2Silviya Svejenova (BI Norwegian Business School)H-Index: 15
Last. Gerardo Patriotta (Warw.: University of Warwick)H-Index: 18
view all 4 authors...
This study examines innovators’ efforts to conceptualize and communicate their novel work through categorization. Specifically, we view category formation as a controversial process of meaning maki...
10 CitationsSource
#2Barbara Slavich (Lille Catholic University)H-Index: 6
Last. Mukti Khaire (Cornell University)H-Index: 1
view all 3 authors...
Technology and creativity seem to be two core constructs that have dominated recent debates for understanding the driving forces in twenty-first-century economies, and in particular capitalist economies, debated under such terms as ‘Experience Economy’ (Pine & Gilmorein The Experience Economy. Harvard Business School Press, Boston, MA, 1999) or ‘Name Economy’ (Moeran in Anthropological perspectives on economic development and integration. Elsevier, Amsterdam, pp. 299–321, 2003) or the more gener...
Source
#1Fabrizio Castellucci (Bocconi University)H-Index: 8
#2Barbara Slavich (Lille Catholic University)H-Index: 6
Source
#1Caroline ArdeletH-Index: 3
#2Barbara SlavichH-Index: 6
Last. Gwarlann de KervilerH-Index: 5
view all 3 authors...
The objective of this study is to examine what determines women's ethical judgments of advertisements portraying feminine erotic images. The findings demonstrate that women ethical judgment is negatively correlated to perception of male dominance in the advertisement. The role of perceived male dominance on ad ethic judgments depend on self-identified archetypal representations of femininity about women social identities (e.g. Lover, Hero or Explorer social identities) and on women's social imag...
#1Barbara Slavich (Lille Catholic University)H-Index: 6
#2Fabrizio Castellucci (Bocconi University)H-Index: 8
This article explores how the similarity between a master’s and former apprentice’s products influences critics’ evaluations of creative professionals’ work. Through apprenticeships with well-known masters, creative professionals manage the competing demands for novelty and familiarity typical of creative industries and find their optimal balance. To gain positive evaluations, creative workers must demonstrate their offerings’ comparability with their former master’s, yet some degrees of novelty...
8 CitationsSource
#1Barbara Slavich (Lille Catholic University)H-Index: 6
#2Silviya Svejenova (CBS: Copenhagen Business School)H-Index: 15
Last. Gerardo Patriotta (University of Nottingham)H-Index: 18
view all 4 authors...
This study examines how a new category gains form and meaning in the presence of multiple logics, competing labels, and multiple modes of sensegiving and sensemaking. We analyze the work of four em...
Source
#1Antonio Giangreco (Lille Catholic University)H-Index: 10
#2Barbara Slavich (Lille Catholic University)H-Index: 6
Last. Fabrizio Castellucci (Bocconi University)H-Index: 8
view all 5 authors...
Across organizational and managerial settings, a commonly held belief is that the pay of resource providers and their performance are closely linked. Yet, the boundary conditions of this claim have...
Source
#1Barbara Slavich (Lille Catholic University)H-Index: 6
#2Silviya Svejenova (BI Norwegian Business School)H-Index: 15
This article aims at providing definitional clarity on creativity and a systematic understanding of its management in organizations. By drawing on the results of a content analysis of creativity definitions in 440 scholarly publications in the field of management between 1990 and 2014, this study clarifies how scholars in the management domain have defined the concept and identifies core categories shared by these definitions. It also brings together these conceptual categories into an integrati...
4 CitationsSource
#1Caroline ArdeletH-Index: 3
#2Barbara SlavichH-Index: 6
Last. Gwarlann de Kerviler (Lille Catholic University)H-Index: 5
view all 3 authors...
Accurate predictions of consumers' spontaneous in-store preferences for new products remain limited, especially for luxury products, for which purchase choices involve subjective and symbolic elements. This paper shows that narratives that are spontaneously associated to products in the store are good predictors of consumers' actual both in-store and after-usage preferences. A longitudinal study of the haut de gamme perfume industry demonstrates that consumers who spontaneously narrate personal ...
#1Caroline Ardelet (University of Paris)H-Index: 3
#2Barbara Slavich (Lille Catholic University)H-Index: 6
Last. Gwarlann de Kerviler (Lille Catholic University)H-Index: 5
view all 3 authors...
Accurate predictions of consumers' spontaneous in-store preferences for new products remain limited, especially for luxury products, for which purchase choices involve subjective and symbolic elements. This paper shows that narratives that are spontaneously associated to products in the store are good predictors of consumers' actual both in-store and after-usage preferences. A longitudinal study of the haut de gamme perfume industry demonstrates that consumers who spontaneously narrate personal ...
13 CitationsSource
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